Jim Steinman had stated that he wanted to write "the ultimate car/sex song in which everything goes horribly wrong in the end." īoth Steinman and Rundgren were influenced by Phil Spector and his " Wall of Sound", and Rundgren crafted arrangements translated from Steinman's vision of what the song should be. Rundgren offered Albert Grossman, founder of Bearsville Studios and the Bearsville Records label, the right of first refusal. But Rundgren discovered that the Utopia Records deal did not exist, and was essentially paying for the album's production himself. Rundgren, under the impression that the album had the support of RCA subsidiary Utopia Records, agreed to produce at Bearsville Studios near Woodstock, New York, where he was working as an engineer and producer. Īfter numerous failed attempts by Steinman and Meat Loaf to secure record label support for the album, Mark "Moogy" Klingman brought the project to the attention of Utopia bandmate Todd Rundgren for potential production work. Steinman, Meat Loaf, and Ellen Foley (who had been cast as Wendy in Neverland) had all worked together on the National Lampoon Road Tour, where the singers had a history of performing over-the-top musical comedy sketches together. "Paradise by the Dashboard Light" was one of seven songs developed for Bat Out of Hell, with the first three songs having originated from Steinman's Peter Pan-based rock musical, Neverland.
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